Mozart Piano Sonata No1 in C major K.279

با عرض سلام خدمت شما دوستان عزیز.اولین آپلود ما برای شما آماده است!سونات اول موتزارت در گام دو ماژور.

توضیحاتی در مورد قطعه:

این اولین سونات موتزارت است که آنرا در سن ۱۸ سالگی نوشته است.یک سونات کلاسیک ۳ موومانی در گام دو ماژور. ۶ سونات اولیه او در فاصله ۱ سال نوشته شده اند.۴ تای اولی در گام های ماژور بمل دار و سونات های ۵ و ۶ در گام های ماژور دیز دار.

موومان اول:

یک موومان الگرو ی ساده .شروع آن با یک حرکت چرخشی دست راست و ادامه تا رسیدن به کادانس سل ماژور سپس پایان قطعه با همان حرکت چرخشی اول سونات.

موومان دوم:

یک آندانته ی دوست داشتنی .آغاز در فا ماژور سپس تغییر به سل و ر ماژور سپس پایان در فا ماژور.

موومان سوم:

یک روندوی پر جوش و خروش دو ماژور و پایانی باشکوه برای سونات اول.

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Wolfgang Amadeus Mozart's Piano Sonata No. 1 in C major, K 279 (189d) (1774) is a sonata in three movements. It was composed when Mozart was only 18 years old and is the first of a set of 18 Piano Sonatas written by Mozart. All but 2 of the sonatas, No. 8 in A minor and No. 14 in C minor are in a major key. The first of Mozart's Piano Sonatas seem to follow the cycle of fifths, to the flat side first (No. 1 in C major, No. 2 in F major, No. 3 in B-flat major, No. 4 in E-flat major) and then to the sharp side (No. 5 in G major, No. 6 in D major).

The first movement, marked Allegro, is structured in sonata form; the exposition opens with a turning figure for the left hand, which forms the basis for much of this movement. After a repeat of the opening 2 bars, an Alberti bass is introduced for the left hand, whilst the right hand plays the melody based on the opening turning figure. The opening section uses chromatic appogiaturas for colour. An imperfect cadence leads towards the dominant (G major) in preparation for the 2nd subject, as expected. The second subject focuses on rapid scales and leads to a perfect cadence in G major, ready for the development section. The exposition is repeated, which is standard for sonata form. The development begins in G minor uses the opening theme to follow a series of ascending arpeggios in several keys before moving towards G major and then back to the tonic, C major, for the recapitulation. The recapitulation follows a similar structure to the exposition, although the imperfect cadence that led to the dominant previously now leads to the final 10 bars of the exposition, this time in the tonic key. The first movement ends with a perfect cadence and a three bar elaboration on the tonic.

The Andante is full of expressive shading, the result of Mozart's harmonic freedom. This movement is based in F major, the subdominant of the whole work's tonal home and is structured in sonata form. By the end of the exposition, Mozart has modulated to the dominant, C major and begins the development in this key. The work then quickly makes temporary transitions through G and D minor, in order to move back to the tonic for the recapitulation, which follows the exposition closely.

The Allegro zips along in its ^{2
4 meter and is based in C major. This features an unusually active part for the left hand, another extended development section, and a surprising close: Mozart rounds the sonata off with two firm chords, which he marks Coda.}

A typical performance takes about 14 minutes

The work was written down, except for the first part of the opening movement, during the visit Mozart paid to Munich for the production of La finta giardiniera from late 1774 to the beginning of the following March

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